Toscanini                                         Italy              Only Price

 Parma, 1993                                                        (2nd Prize)

                                                                          

 

"Nicolai Malko"                                  Denmark       1st Prize

10th international competition

 for young conductors

 in Copenhagen, 1992

 

MTV Budapest                                  Hungary       3rd Prize

7th international conductors´

 competition of the

 Hungarian TV, 1992

 

Grzegorz Fitelberg                             Poland         2nd Prize

4th international competition

 of conductors in Katowice, 1991

 

Dinu Niculescu                                  Romania       1st Prize

1st international competition of

 conductors in Brasov, 1991

 

Prague Spring                                   Prague         Best place

42nd international competition                                (2nd Prize)

 of conductors, 1990

 

Music of the 20th century                   Austria         Only prize

3rd international conductors´                                  (Promotion Prize)

 competition in Mürzzuschlag, 1990

 

Vienna Chamber Orchestra                Vienna         1st Place

Selection of talents, 1989

 

 

 

The

Jin Wang Academy

 

is using a newly developed system, based on 2 main parts:

 

 

  1 – The way of understanding music which the orchestra musicians and the audience use

  2 – A new “expressionism technique” to join the 21st century´s new challenges

 

 

We developed also a complete system of education, which combines music esthetique, philosophy, literature and cultural history with the performance conception and “expressionism method”. Altogether this education is very much related to today´s real music world, and leading to success. 

 

We also organize seminars and symposiums for composers who are interested to preserve the meaning of the tradition and the value of classical music in writing their new music - for the musicians, for the audience and for the society – for a “neo-renaissance” of classical music in the 21st century.

 

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